A track by Aevum Spiritus has featured in Sadayatana Podcast #144 «A Kind of Fog» (August 03, 2013).
Listen and find there:
Thanks to John Tocher.
Cat.# … DNA 88
Release Date … 07.06.2010
Genre … Drone Ambient, Dark Ambient, Experimental
Type … FLAC Lossless
This compilation combine sombre and intense dark/drone ambient tracks with experimental and avantgarde works. Such combination can express better that negative emotions children experience in discovering the world around.
«Infinite Depression» by Aevum Spiritus is an unconscious and irresistible fear of the unknown resulting in lack of self-confidence, reticence and depression.
Ultra low-frequency «Home» by Raspad Atoma is a gasping for breath in horror of darkness, claustrophobia and suppressed fears.
Composed in the way of recently released at DNA Production «Nasca Lines» album, «Utkha» by Indo is a panic and impetuous run away, consciousness quelled by instincts, convulsive breathing.
Track included in «House Of Morpheus» released in March, «Chora» by Marc-Henri Arfeux is an expression of childish dreams, sometimes naive and light, sometimes anxious and disturbed, sometimes utterly nightmarish. Relief for child mind, these dreams are factor of secondary negative influence on children’s psychics.
«Non C’è Più Niente» by Behind Formal Face (J Orphic dark ambient side-project) is a child’s horrible nightmare, his heavy breathing, desperate attempts to escape from this cold well of irrational fears, crying and perspiration when awaking.
«Endorphin Haze» by Red Fog is a catatonic state after experienced nervous shock when child’s mind can’t overcome the emotional overload and escape to embryonic unconcsious state with minimal and elemental perception.
Another track by Aevum Spiritus, «Sna» is grotesque and morbid pictures in teenager’s dreams, repeated nightmares caused by forgotten irrational children’s fears.
Artwork By Marc-Henri Arfeux and Knell.
Cat.# … DNA 41
Release Date … 02.03.2009
Genre … Ambient, Experimental
Type … FLAC Lossless
This work has been inspired by soviet cosmology, Ivan Efremov’s books and old kraut rock projects.
The album was recorded in 2007-2008. Digital and analogue devices were used in recordings along with exotic instruments like a singing bowl and wall of rain.
Musically it’s a cold and rough ambient with glitch influence and clear sound.