Cat.# … DNA 183 Release Date … 12.07.2016 Genre … Drone Type … FLAC
In Flangeri’s new work «Joy Of Restriction» melancholic and meditative improvisations are embodied of vibrant drones that look like river waves bringing myriads of flecks to the shore where you sit. Like the river waves, these drones never hasten and slowly reach their climax before calming down in multiple resonances. Covertly appearing behind the resonances, even and simple melody easily develops from the echoes of colliding drones, getting drown in their pulsatings. Growing in strength, the melody flies over waves of drones of various tonality and length. Reaching the peak in the second half of the more than 35 minutes long piece, the melody – or a pack of endlessly repeated melodies’ fragments – slowly dissolves in drones’ rhythmed breathing, and as the drones start to fade, they let the melody to fade with them as well.
Cat.# … DNA 182 Release Date … 26.05.2016 Genre … Dark Ambient Type … FLAC
It’s Kolpakopf again, and again his work touch on the subject of death. And again the work is inspired by literature, and again Kolpakopf get inspired by mystical Jorge Luis Borges.
In «Indivisible Triplicity Of Death» philosophical reflections about significance of death in the human perception metamorphose in chaotic waves of low-frequency noise swamping lifeless and deliberately minimalistic sound caverns. Arised there and sewn together in an anxious canvas, consonances, pieces of phrases and similar sets of anthropogenic sounds slowly emerge into a wall of noise and then disjoin at the peak of their intensity. Later they appear again in another form to arise and to fall eventually.
It looks like those changes in situations and in points of view in Jorge Luis Borges’ stories wherein half-words and allusions spawn layers of implication and force to overinterpret probable development of the action. And doubtless it force to continue author’s fantasies in someone’s own way. As Borges’ stories, Kolpakopf’s «Indivisible Triplicity Of Death» offers a few of detailed patterns and provoke to interpret them before the piece develops enough to show author’s original idea.
Cat.# … DNA 181 Release Date … 16.05.2016 Genre … Drone, Noise Type … FLAC
Here is next System Morgue’s return to DNA Production, this time as a split work shared with another Moscow-based project iatemyself.
In his two-tracks part System Morgue fills up air with guitar drones where vibrating, shivering consonances mix with heavy breathing pulsations, and fragmentary sonic images comprise a sickly acoustic illusion occasionally teared by sound upsurges of distorted guitar neurasthenia. Sometimes it looks like a drift towards areas of guitar noise but in fact it happens in iatemyself’s three-tracks part where jumble of electrical interferences and distorted sounds boils up. This dense and physically perceived sonic cloud presses ears with low-frequency waves while high-frequency bursts split and lumps together this uneasy acoustic mass making visible its parts and then stepping back for a moment to let see the whole panorama of enraged sonic elements.
DNA Production is a nonprofit digital label focused on releasing selected works made in dark ambient, drone ambient, noise and other related genres. All the works are released under Creative Common License for free distribution all over the world.